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・ The PJs
・ The PJs (soundtrack)
・ The Place
・ The Place (album)
・ The Place and the Time
・ The Place at the Coast
・ The Place Beyond the Pines
・ The Place Beyond the Winds
・ The Place I Love
・ The Place in Between
・ The Place of Dead Roads
・ The Place of Honour
・ The Place of Storms
・ The Place of the Dead
・ The Place of the Lion
The Place of the Solitaires
・ The Place Prize
・ The Place Promised in Our Early Days
・ The Place to Bleed
・ The Place We Ran From
・ The Place Where the Black Stars Hang
・ The Place Where We Lived
・ The Place Where You Will Find Us
・ The Place Within
・ The Place Without Limits
・ The Place You're In
・ The Placebo Effect
・ The Placencia Breeze
・ The Places in Between
・ The Places You Have Come to Fear the Most


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The Place of the Solitaires : ウィキペディア英語版
The Place of the Solitaires
"The Place of the Solitaires" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in the journal ''Poetry'' in October, 1919, so it is in the public domain.()
Some interpreters understand the poem as an expression of Heraclitus's philosophy that all is flux. Others classify it as among those poems that are all about style, with no content to speak of.
The poet Mark Strand takes a different tack, assuring the reader that in order to understand this poem, "()ne only has to remember the perpetual undulation has not only to do with the recurrent motion of the waves but the desired motion of the hand as it writes.() The poetry of the subject makes reference to sea and beaches, whereas the true subject of the poem is Stevens's craft as a poet. Writing is a solitary vocation, a place for "the solitaires" who must practise continual motion of thought and inscription.
As usual Stevens is willing to communicate, but does not go out of his way to make his meaning plain. "One does not write for any reader except one," as he says in ''Adagia'',〔Kermode, p. 905〕 and also, less solipsistically, "Poetry must resist the intelligence almost successfully."〔Kermode, ''Adagia,'' p. 910〕 Other writers and immigrants to the world of thought can perhaps be inspired by "The place of the solitaires" as a response to the solitary and somewhat melancholy life of the mind. ''(Adagia:'' "Poetry is a form of melancholia."〔Kermode, p. 903〕)
The poetry of the subject is paramount, and to that extent it is important to appreciate the poem's syntactic structure and its evocation of a Heraclitian mood. This primacy is why "Poetry is not a personal matter"〔Kermode, ''Adagia,'' p. 903〕 Yet poems have roots in the poet's life. They have subjects "that are the symbols of one's self or of one of one's selves."〔Kermode, Adagaia, p. 904.〕
See also "Le Monocle de Mon Oncle" for the distinction between the poetry of the subject and the subject of the poem, and The Weeping Burgher for a more subjective perspective on the poet's craft.
== Notes ==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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